[1]韩黛安.以象言说与律诗诗法之关系[J].长江大学学报(社会科学版),2024,(03):114-119.
　Han Daian.The Relationship between Expressing Poetic Meaning through Imagery and the Creative Method of Regulated Verse[J].SAMSON,2024,(03):114-119.
点击复制

以象言说与律诗诗法之关系
()
分享到：

《长江大学学报》（社会科学版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2024年03
页码:
114-119
栏目:
文化研究
出版日期:
2024-05-15

文章信息/Info

Title:
The Relationship between Expressing Poetic Meaning through Imagery and the Creative Method of Regulated Verse
文章编号:
1673-1395(2024)03-0114-06
作者:
韩黛安
(长江大学文理学院 人文与传媒学院,湖北 荆州 434020)
Author(s):
Han Daian
(Department of Humanities and Communication,Yangtze University College of arts and Sciences,Jingzhou Hubei 434020)
关键词:
以象言说; 以言明象; 以象尽意; 律诗; 诗法
Keywords:
expressing poetic meaning through imagery; describing imagery with language; interpreting poetic ambiance through imagery; regulated verse; poetry creation method
分类号:
I206.2
文献标志码:
A
摘要:
以象言说为律诗重要的言说方式。这一言说方式给律诗诗法带来了深远的影响。这一深远影响，体现在律诗诗法的各个层面。由于以象言说追求以象尽意，因而其句法不再追求表述的完整，而转向以言尽象，这使得律诗句法颠倒、以核心词连缀成句、语义跳跃成为律诗重要的句法特征。由于以言尽象、以象尽意成为律诗的追求，律诗的章法自然会以意为枢纽，而关涉起承转合，以言意为基础，以诗意为旨归。律诗的尚意追求，又使得诗歌整体上追求味外之味的意境混成，神完气足的境界的巧妙营构。正是以象言说方式对律诗诗法产生了广泛而深刻的影响，才造就了律诗尤其是唐人律诗兴寄高远、气象浑然、惟在妙悟的独特风神。
Abstract:
Expressing poetic meaning through imagery is a significant mode of expression in regulated verse,exerting profound influence on its creative method.This influence permeates various aspects of the creative method of regulated verse.As this mode of expression seeks to convey poetic meaning through imagery,its syntax no longer pursues completeness of expression but turns towards describing imagery with language.This shift results in inverted syntax in regulated verse,with core words linked together,and semantic leaps becoming prominent features of its syntax.With the pursuit of conveying poetic meaning through describing imagery as the goal of regulated verse,the structural arrangement of regulated verse naturally revolves around poetic meaning,involving exposition,development,turn,and conclusion,grounded in the relationship between language and meaning and aiming at expressing poetic meaning as the ultimate goal.The pursuit of poetic meaning in regulated verse creation also leads to a blending of infinite poetic connotations,achieving a subtle balance of profound sentiments and vivid imagery.It is the profound impact of expressing poetic meaning through imagery on the creative method of regulated verse that creates its unique aura of lofty inspiration,holistic imagery,and exquisite insights,especially evident in Tang Dynasty regulated verse.

参考文献/References:

[1]阮元.十三经注疏[M].北京：中华书局，1980.
[2]楼宇烈.王弼集校释[M].北京：中华书局，1980.
[3]王先谦.诗三家义集疏[M].北京：中华书局，1987.
[4]朱熹.楚辞集注[M].上海：上海古籍出版社，2001.
[5]曹操，曹丕，曹植.三曹集[M].长沙：岳麓书社，1992.
[6]张少康.文赋集释[M].上海：上海古籍出版社，1984.
[7]罗宗强.魏晋南北朝文学思想史[M].北京：中华书局，2019.
[8]吴林伯.《文心雕龙》义疏[M].武汉：武汉大学出版社，2002.
[9]叶嘉莹.汉魏六朝诗讲录[M].石家庄：河北教育出版社，1997.
[10]顾绍柏.谢灵运集校注[M].郑州：中州古籍出版社，1987.
[11]仇兆鳌.杜诗详注[M].北京：中华书局，1979.
[12]陈铁民.王维集校注[M].北京：中华书局，1997.
[13]张健.元代诗法校考[M].北京：北京大学出版社，2001.
[14]郭绍虞，主编.诗品集解·续诗品注[M].北京：人民文学出版社，1963.

备注/Memo

备注/Memo:
收稿日期：20240110
更新日期/Last Update: 2024-09-06